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La Grande Illusion - Wikipedia, the free encyclopedia. La Grande Illusion (also known as Grand Illusion) is a 1. French war film directed by Jean Renoir, who co- wrote the screenplay with Charles Spaak. The story concerns class relationships among a small group of French officers who are prisoners of war during World War I and are plotting an escape. The title of the film comes from the book The Great Illusion by British economist Norman Angell, which argued that war is futile because of the common economic interests of all European nations. The perspective of the film is generously humanistic to its characters of various nationalities.
Grand Illusion By Peter Cowie November 22, 1999 Grand Illusion is the masterpiece that earned Jean Renoir enormous acclaim in the United States, exciting. Directed by Jean Renoir. With Jean Gabin, Dita Parlo, Pierre Fresnay, Erich von Stroheim. During the first World War, two French soldiers are captured and imprisoned.
It is regarded by critics and film historians as one of the masterpieces of French cinema[3] and among the greatest films ever made. Orson Welles named La Grande Illusion as one of the movies he would take with him "on the ark."[4]Empire magazine ranked it #3. The 1. 00 Best Films Of World Cinema" in 2. During the First World War, two Frenchaviators, aristocratic Captain de Boeldieu (Pierre Fresnay) and working- class Lieutenant Maréchal (Jean Gabin), embark on a flight to examine the site of a blurred spot on photos from an earlier air reconnaissance mission. They are shot down by a German aviator and aristocrat, Rittmeister von Rauffenstein (Erich von Stroheim). Von Rauffenstein, upon returning to base, sends a subordinate to find out if the aviators are officers and, if so, to invite them to lunch. During the meal, von Rauffenstein and de Boeldieu discover they have mutual acquaintances—a depiction of the familiarity, if not solidarity, within the upper classes that crosses national boundaries.
- Overview of Grand Illusion, 1937, directed by Jean Renoir, with Erich von Stroheim, Jean Gabin, Pierre Fresnay, at Turner Classic Movies.
- La Grande Illusion (also known as Grand Illusion) is a 1937 French war film directed by Jean Renoir, who co-wrote the screenplay with Charles Spaak.
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De Boeldieu and Maréchal are then taken to a prisoner- of- war camp, where they meet a colorful group of fellow French prisoners and stage a vaudeville- type performance just after the Germans have taken Fort Douaumont in the epic battle of Verdun. During the performance, word arrives that the French have recaptured the fort. Maréchal interrupts the show, and the French prisoners spontaneously burst into "La Marseillaise". As a result of the disruption, Maréchal is placed in solitary confinement, where he suffers badly from lack of human contact and hunger; ironically, the fort changes hands once more while he is imprisoned.
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De Boeldieu and Maréchal also help their fellow prisoners finish digging an escape tunnel. However, just before it is completed, everyone is transferred to other camps. Because of the language barrier, Maréchal is unable to pass word of the tunnel to an incoming British prisoner. De Boeldieu and Maréchal are moved from camp to camp, finally arriving in Wintersborn, a mountain fortress prison commanded by Von Rauffenstein, who has been so badly injured in battle that he has been promoted, but reassigned, much to his regret. Von Rauffenstein tells them that Wintersborn is escape- proof.
At Wintersborn, the pair are reunited with a fellow prisoner, Rosenthal (Marcel Dalio), from the original camp. Rosenthal is a wealthy French Jew, a naturalized French citizen, son of a Polish father and Danish mother, who generously shares the food parcels he receives. De Boeldieu comes up with an idea, after carefully observing how the German guards respond to an emergency. De Boeldieu volunteers to distract the guards for the few minutes needed for Maréchal and Rosenthal to escape. After a commotion staged by the prisoners, the guards are ordered to assemble them in the fortress courtyard. During the roll call, it is discovered that de Boeldieu is missing. He makes his presence known high up in the fortress, drawing the German guards away in pursuit.
Maréchal and Rosenthal take the opportunity to lower themselves from a window by a homemade rope and flee. Von Rauffenstein stops the guards from firing at de Boeldieu with their rifles, and pleads with his fellow aristocrat to give himself up. De Boeldieu refuses, and von Rauffenstein reluctantly shoots at him with his pistol, aiming for his legs but hitting him in the stomach.
Nursed in his final moments by a grieving von Rauffenstein, de Boeldieu laments that their usefulness to society (as aristocrats) will end with this war. He also pities von Rauffenstein, who will have to find a new purpose in the emerging social order.
Maréchal and Rosenthal journey across the German countryside, trying to get to nearby Switzerland. Rosenthal injures his foot, slowing Maréchal down. They quarrel and part, but then Maréchal returns to help his comrade. They take refuge in the modest farmhouse of a German woman, Elsa (Dita Parlo), who has lost her husband at Verdun, along with three brothers, at battles which, with quiet irony, she describes as "our greatest victories." She generously takes them in, and doesn't betray them to a passing German army patrol.
Maréchal begins to fall in love with her, and she with him, but he and Rosenthal eventually leave from a sense of duty to the war effort after Rosenthal recovers from his injury. Maréchal declares his intention to come back for Elsa and her daughter, Lotte, after the war. A German patrol sights the two fugitives crossing a snow- covered valley. The soldiers fire a few rounds, but then the patrol leader orders them to cease fire, saying the pair have crossed into Switzerland. We last glimpse them from a distance, trudging through deep snow, their future uncertain.
Jean Gabin as Lieutenant Maréchal, a French officer, of modest social background. Marcel Dalio as Lieutenant Rosenthal, a French officer, of nouveau riche Jewish ancestry. Pierre Fresnay as Captain de Boeldieu, a French regular officer and aristocrat. Erich von Stroheim as Captain (later Major) von Rauffenstein, a German regular officer and aristocrat. Dita Parlo as Elsa, a widowed German farm woman. Julien Carette as Cartier, the vaudeville performer.
Gaston Modot as an engineer. Georges Péclet as an officer. Werner Florian as Sgt. Arthur. Jean Dasté as a teacher. Sylvain Itkine as Lieutenant Demolder. Production[edit]According to Renoir's memoirs, von Stroheim, despite being born in Vienna, Austria (then the Austro- Hungarian Empire) did not speak much German, and struggled with learning the language along with his lines in between filming scenes.
The exteriors of "Wintersborn" were filmed at the Haut Koenigsbourg Castle in Alsace. Other exteriors were filmed at the artillery barracks at Colmar (built by Wilhelm II) and at Neuf- Brisach on the Upper Rhine. An early script version had Rosenthal and Maréchal agreeing to meet in a restaurant at the end of the war. In the final scene, everyone there would be celebrating the armistice, but instead of these men, there would be two empty chairs at a table. Renoir was a French aviator during World War I. Gabin wears Renoir's uniform in the film. Political and historical themes[edit]Renoir used the First World War (1.
Europe as it faced the rising spectre of fascism (especially in Nazi Germany) and the impending approach of the Second World War (1. Renoir's critique of contemporary politics and ideology celebrates the universal humanity that transcends national and racial boundaries and radical nationalism, suggesting that mankind's common experiences should prevail above political division, and its extension: war.[citation needed]On the message of the film, Renoir himself said, in a film trailer dating from the re- release of the film in 1. La Grande Illusion is] a story about human relationships. I am confident that such a question is so important today that if we don’t solve it, we will just have to say ‘goodbye’ to our beautiful world."La Grande Illusion examines the relationships between different social classes in Europe. Two of the main characters, de Boeldieu and von Rauffenstein, are aristocrats. They are represented as cosmopolitan men, educated in many cultures and conversant in several languages.
Their level of education and their devotion to social conventions and rituals makes them feel closer to each other than to the lower class of their own nation. They share similar social experiences: dining at Maxim's in Paris, courting dalliances with the same woman, and even know of each other through acquaintances. They converse with each other in heavily formal French and German, and in moments of intimate personal conversation, escape into English as if to hide these comments from their lower class counterparts.[6]Renoir depicts the rule of the aristocracy as in decline, to be replaced by a new, emerging social order, led by men who were not born to privilege. He emphasizes that their class is no longer an essential component to their respective nation's politics.[citation needed] Both von Rauffenstein and de Boeldieu view their military service as a duty, and see the war as having a purpose; as such, Renoir depicts them as laudable but tragic figures whose world is disappearing and who are trapped in a code of life that is rapidly becoming meaningless.[citation needed] Both are aware that their time is past, but their reaction to this reality diverges: de Boeldieu accepts the fate of the aristocracy as a positive improvement, but von Rauffenstein does not, lamenting what he sarcastically calls the "charming legacy of the French Revolution". Renoir contrasts the aristocrats with characters such as Maréchal (Gabin), a mechanic from Paris.
The lower class characters have little in common with each other; they have different interests and are not worldly in their views or education. Nonetheless, they have a kinship too, through common sentiment and experience.[citation needed]Renoir's message is made clear when the aristocratic de Boeldieu sacrifices himself by distracting the prison guards by dancing around, singing, and playing a flute, to allow Maréchal and Rosenthal, members of the lower class, to escape. Reluctantly and strictly out of duty, von Rauffenstein is forced to shoot de Boeldieu, an act that de Boeldieu admits he would have been compelled to do were the circumstances reversed.
Die große Illusion (1. IMDb. Edit. During 1st WW, two French officers are captured.
Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds, as Rosenthal, son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape.
A few months later, they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape..
Written by. Yepok. Plot Summary|Plot Synopsis. Taglines. A Film of Great Power and Compassion!